欧洲的某个地方
影片信息
- 状态：HD中字
- 主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
- 导演：Radványi/Géza/
- 年份：1948
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-02-21 00:46
- 简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
- 9
关注公众号观影不迷路
扫一扫用手机访问
网友评分
0次评分扫一扫用手机访问
剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
为你推荐
换一换- 更新HD韩栋/罗立群/沈芝弈/杜奕衡/吴春怡/谭琍敏/傲蕾/罗予甜/
- 更新至10集王源/张雪迎/梁靖康/李晨/印小天/韩童生/余皑磊/董勇/此沙/翟潇闻/张晓晨/陈雨锶/李嘉鑫/高戈/马泰/王莎莎/陈铭杨/鹿骐/叶筱玮/张海宇/曹骏/袁近辉/金靖承/生港帅/胡宝森/袁文康/王仁君/佟梦实/姚安濂/张建亚/林栋甫/何晟铭/李宗翰/小爱/
- 更新至03集安东尼·拉莫斯/娜奥米·斯科特/克里斯托弗·海维尤/扎克瑞·昆图/Izzy/Jones/
- 更新至30集张子枫/王景春/塔塔/张子贤/王骁/张佳宁/杨恩又/陆思宇/李晓川/
- 更新至20250625期尹馨/曹佑宁/冯淬帆/白润音/蔡振南/庄凯勋/安心亚/曾莞婷/
- 更新HD热苏伊塔·巴尔博萨/卡罗琳·阿布拉斯/艾米拉·盖德斯/布鲁诺·蒙塔莱昂尼/罗密欧·布拉加/Lara Tremouroux/Mauro Soares/Jullio Reis/Pedro Zurawski/Jeff Lyrio/Bruno Parmera/安德烈·戴尔/
- 更新至06集裘德·洛/尼古拉斯·霍尔特/泰伊·谢里丹/朱尼·斯莫利特/马克·马龙/乔治·乔尔托夫/叶·丹尼尔/丹尼尔·多尼/塞巴斯蒂安·皮戈特/约翰·沃肯廷/菲利普·莱维茨基/Vanessa/Holmes/Bryan/J./McHale/Rae/Farrer/Carter/Morrison/奥黛莎·杨/Philip/Granger/Ryan/Chandoul/Wesley/摩根·霍姆斯特姆/布拉德利·斯泰克尔/艾莉森·奥利弗/
- 更新第16集朱一龙/辛柏青/张子枫/朱亚文/陈飞宇/王砚辉/肖央/吴京/张宥浩/欧豪/韩东君/郭晓东/李卓阳/任重/李乃文/聂远/唐曾/王挺/赫子铭/王阳/贾冰/
- 更新HDAlexander/Diego/Edith/Ybarra/Clara/Frank/Ernesto/Lam/Alain/Alain/Alfonso/González/Milagros/Llanes/Martínez/Lola/Amores/Jhon/Steven/Baldriche/Joel/Casanova/
- 更新HD藤谷太辅/奈绪/仓悠贵/宫内瞳/阿南健治/宫崎美子/西田尚美/前田美波里/
- HD海伦娜·泽格尔/杰里米·西多/塞尔吉奥·萨托里奥/莎宾·蒂莫提欧/罗密欧·布拉加/Philipp/Lavra/Iwinaiwa/Assurini/Kamya/Assurini/Joao/Vitor/Xavante/Limpeza/Pira/Assurini/Ham?/Luciano/
- HD姜河那/柳海真/朴解浚/
- HD谢霆锋/曾志伟/舒淇/谷祖琳/吴君如/陈惠敏/李灿森/冯德伦/尹子维/陈慧琳/黄秋生/金燕玲/张达明/谷德昭/
- HD阿列克谢·谢列布里亚科夫/Vsevolod/Volodin/叶甫盖尼·特卡丘克/亚历山大·奥斯特犹科夫/Georgiy/Dronov/基里尔·波卢欣/安吉丽娜·斯特雷奇娜/安娜·乌克洛娃/Ivan/Bychkov/Aleksandr/Bulatov/亚历山大·尼·鲍里索夫/Aleksandr/Korotkov/Irina/Zubkova/
- 全24集丁海峰/沈鱼/田锋/王耀彬/蔡萱逸/侍宣如/王辉/
- HD克劳迪奥·桑塔玛利亚/马可·贾利尼/耶日·斯图尔/Flonja/Kodheli/
- HD大卫·贝尔达格尔/路易斯·卡叶赫/奥斯卡·德·拉·弗恩特/奥利维亚·莫丽娜/玛利亚·罗曼尼奥斯/洛雷娜·洛佩斯/玛尔塔·贝伦格尔/佐迪·阿吉拉尔/米古尔·雷兰/Jona/García/Tosca/Montoya/Arantzazu/Pastor/Arantxa/Pastor/Dario/Mataix/Moana/Gómez/Nora/Arándiga/Pau/Belloch/Rubio/Guillem/Belloch/Rubio/Amparo/Oltra/Paco/Roca/
- TC中字阿德里安·布罗迪/菲丽希缇·琼斯/盖·皮尔斯/乔·阿尔文/拉菲·卡西迪/斯塔西·马汀/艾玛·莱尔德/伊萨赫·德·班克尔/亚历桑德罗·尼沃拉/乔纳森·海德/彼得·多卡普/米迦勒·埃普/杰米斯·巴特勒/尼克·威特曼/娜塔莉·欣尼克/杰瑞米·惠勒/马特·戴维尔/斯蒂芬·萨拉科/彼得·林卡/罗伯特·杰克逊/
- HD克劳迪奥·桑塔玛利亚/
- HD刘少君/林敬刚/李莉莉/谷峰/
- HD吕颂贤/陈德兴/林敬刚/杜少津/刘乔方/刘江/赵志凌/
- HD曾志伟/方皓玟/陈冠希/王敏奕/恬妞/徐天佑/黄日华/
- HD吴君如///张天赋///邓丽欣///陈辉虹///张锦程///郑中基///谷祖琳///倪晨曦///蒋祖曼///林耀声/
- HD陆小芬/张曼玉/李子雄/田丰/萧湘/
- HD周秀娜/罗子溢/洪天明/庄思敏/杨梓瑶/沈志明/陈嘉宝/方皓玟/
- HD张国荣/张曼玉/刘嘉玲/刘德华/张学友/潘迪华/梁朝伟/
- HD古天乐/郭富城/应采儿/梁家辉/陈小春/张兆辉/蔡一智/卢海鹏/高捷/黄华和/元彬/
- HD黎明/李嘉欣/金城武/杨采妮/莫文蔚/陈辉虹/陈万雷/关莉娜/江道海/
- HD周润发/梁家辉/何家驹/张耀扬/黄光亮/吴志雄/成奎安/
- HD程小东/侯朝声/关东/林辉煌/赵志凌/